Odds & Sods | ||||
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Compilation album by The Who | ||||
Released | October 4, 1974[1] | |||
Recorded | 1964–1973 | |||
Genre | Rock | |||
Length | 40:23 | |||
Language | English | |||
Label | Track Records (UK) Track/MCA (US) Polydor (UK) |
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Producer | Glyn Johns, Kit Lambert, Peter Meaden, Chris Parmeinter, Shel Talmy, The Who | |||
Compiler | John Alcock, John Entwistle | |||
The Who chronology | ||||
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Singles from Odds & Sods | ||||
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Odds & Sods is an album that consists of studio outtakes and rarities by British rock band The Who released by Track Records in the UK and Track/MCA in the US in 1974.
In the autumn of 1973, while Roger Daltrey, Pete Townshend and Keith Moon were preparing for the Tommy film, John Entwistle was put in charge of compiling an album to counter the rampant bootlegging that occurred at The Who's concerts.[2] "I tried to arrange it like a parallel sort of Who career - what singles we might have released and what album tracks we might have released," Entwistle explained.[2] He and the producer of his solo albums, John Alcock, compiled Odds & Sods from various tapes. Two LPs of material were collected, but only one was released. "It could have been a double album, there was that much material," Entwistle said at the time of the album's release.[2] The material from the second unreleased LP was later included on the 1998 remastered CD version. Townshend wrote liner notes for the album which included frank opinions of the quality of the songs. The notes were omitted from some copies of the original LP but included on the reissued CD. The album reached #10 on the UK charts and #8 in the US.[3]
Contents |
"Little Billy" was written by Townshend for the American Cancer Society, but it never saw the light of day because it never left the office of the record executive Townshend submitted it to.
"I'm the Face" (which is a reworking of the Slim Harpo classic "Got Love If You Want It") was The Who's first record release, when they were still performing as the High Numbers. It was recorded in 1964.
"Put the Money Down", "Too Much of Anything" and "Pure and Easy" were from the aborted Lifehouse project.[4]
The mix of "Under My Thumb" on the 1998 remastered CD is a special stereo remix produced but not used for the Thirty Years of Maximum R&B box set that omits the original fuzzbox guitar part.
The studio version of "Young Man Blues" on the re-issue is not the sampler version of The House that Track Built but a slower out-take (seemingly due to the tape playing at the wrong speed) from the same sessions as the Sampler Version and it was finally released in an alternate mix on the deluxe version of "Tommy" years later. The iTunes American Store lists this version "Young Man Blues" as an "Alternate Studio Version" and at the end Kit Lambert is heard to remark: "No, that one didn't really work".
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | link |
Robert Christgau | (B) link |
Pitchfork Media | (10.0/10) link |
Rolling Stone | (satisfactory) link |
All songs written by Pete Townshend except where noted.
Year | Chart | Position |
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1974 | Billboard Pop Albums | 15 |
UK Chart Albums | 10[5] |
Organization | Level | Date |
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RIAA – US | Gold | 9 December 1974[6] |